{"id":2086,"date":"2020-12-20T16:54:36","date_gmt":"2020-12-20T15:54:36","guid":{"rendered":"https:\/\/eventacoustics.com\/project\/case-tivoli-vredenburg\/"},"modified":"2024-07-03T21:18:39","modified_gmt":"2024-07-03T19:18:39","slug":"case-tivoli-vredenburg","status":"publish","type":"project","link":"https:\/\/eventacoustics.com\/en\/project\/case-tivoli-vredenburg\/","title":{"rendered":"Case: Tivoli Vredenburg"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;on|phone&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; custom_padding_tablet=&#8221;50px||50px||true|false&#8221; custom_padding_phone=&#8221;&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;rgba(0,0,0,0)&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; header_2_font=&#8221;|700|||||||&#8221; header_2_text_color=&#8221;#002762&#8243; header_2_font_size=&#8221;40px&#8221; header_2_line_height=&#8221;55.2px&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h2 style=\"text-align: center;\">Problem Statement<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;22.56px&#8221; width=&#8221;698px&#8221; width_tablet=&#8221;100%&#8221; width_phone=&#8221;&#8221; width_last_edited=&#8221;on|phone&#8221; module_alignment=&#8221;center&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p style=\"text-align: center;\">Our venues still sometimes suffer from acoustic problems, causing us to inadvertently create a nuisance or fail to deliver the optimal sound experience to the audience. Additionally, we want to ensure that new halls have good acoustics from the start. How do we solve this?<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_padding=&#8221;25px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/eventacoustics.com\/wp-content\/uploads\/2020\/12\/pexels-mark-angelo-1587927-1.png&#8221; title_text=&#8221;pexels-mark-angelo-1587927 1&#8243; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;rgba(0,0,0,0)&#8221; width=&#8221;100%&#8221; width_tablet=&#8221;80%&#8221; width_phone=&#8221;&#8221; width_last_edited=&#8221;on|phone&#8221; custom_padding=&#8221;120px||60px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; background_image=&#8221;https:\/\/eventacoustics.com\/wp-content\/uploads\/2020\/12\/Image-9-1.png&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/eventacoustics.com\/wp-content\/uploads\/2022\/06\/North-Sea-jazz.jpeg&#8221; title_text=&#8221;North-Sea-jazz&#8221; _builder_version=&#8221;4.17.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; header_2_font=&#8221;|700|||||||&#8221; header_2_text_color=&#8221;#002762&#8243; header_2_font_size=&#8221;50px&#8221; header_2_line_height=&#8221;65px&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h2>The Solution<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;22.56px&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p style=\"text-align: left;\">Erik Mans of Tivolivredenburg explains why he engaged Event Acoustics and the solutions they offered:<\/p>\n<p style=\"text-align: left;\">&#8220;It all started in Tivoli Oudegracht. There were houses adjacent to the stage, leading to complaints from neighbours. Event Acoustics came to resolve this nuisance and also helped with another issue: the venue&#8217;s acoustics were not suitable for amplified music. So, we measured acoustics both in the auditorium and next door. By measuring on both sides of the wall, we found a solution where the neighbours were no longer inconvenienced by us, and we could provide a good sound experience to the audience. Many other companies impose decibel limits that we can\u2019t do much with, but Peter really looks at what is possible instead of imposing restrictions.&#8221;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; _builder_version=&#8221;4.17.6&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;rgba(0,0,0,0)&#8221; width=&#8221;100%&#8221; width_tablet=&#8221;80%&#8221; width_phone=&#8221;&#8221; width_last_edited=&#8221;on|phone&#8221; custom_padding=&#8221;7px||60px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; header_2_font=&#8221;|700|||||||&#8221; header_2_text_color=&#8221;#002762&#8243; header_2_font_size=&#8221;50px&#8221; header_2_line_height=&#8221;65px&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h2><span>TivoliVredenburg<\/span><\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;22.56px&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><span>&#8220;Later, I also worked with Peter during the construction of TivoliVredenburg, so I now know that Peter is the authority on acoustics, especially for amplified music. Other acousticians are often very classically trained and do not take amplified music well into account. Peter knows all about this and was therefore able to help us build TivoliVredenburg. He understands what a hall needs, which is why we took his advice during construction. We noticed things were going wrong, and of course, you can only build a hall like this once. Thanks in part to Peter, the acoustics in Tivolivredenburg are now perfect. I have worked with many acousticians, but there is no one like Peter.&#8221;<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/eventacoustics.com\/wp-content\/uploads\/2020\/12\/pexels-mark-angelo-1587927-1.png&#8221; title_text=&#8221;pexels-mark-angelo-1587927 1&#8243; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Event Acoustics has extensive experience in improving sound quality and monitoring sound levels to overcome noise pollution at live events.<\/p>\n","protected":false},"author":1,"featured_media":2017,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[],"project_tag":[],"class_list":["post-2086","project","type-project","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - 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